All of it unfolds in the atmosphere of gaudy, portentous vacuity that is Mr. Singh's trademark.. Tarsem Singh has a reputation for making movies that are visually stunning but woefully inert and convoluted in their storytelling (see The Cell and The Fall). Singh's most recent film, Self/less, lives up to at least half of that reputation.. Self/less is so restrained that I wonder if somebody stole Tarsem Singh's body, too.. "Self/Less" soon turns into an attractively shot yet pointless action fil...
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